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Indigo A Treatise of the Five Orders of Columns in Architecture, To Which is Annex'd, a Discourse Concerning Pilasters: And of Several Abuses Introduc'd Into Architecture Engraven on six Folio Plates Adorn'd With Borders | Erin Mills Town Centre
A Treatise of the Five Orders of Columns in Architecture, To Which is Annex'd, a Discourse Concerning Pilasters: And of Several Abuses Introduc'd Into Architecture Engraven on six Folio Plates Adorn'd With Borders
A Treatise of the Five Orders of Columns in Architecture, To Which is Annex'd, a Discourse Concerning Pilasters: And of Several Abuses Introduc'd Into Architecture Engraven on six Folio Plates Adorn'd With Borders
A Treatise of the Five Orders of Columns in Architecture, To Which is Annex'd, a Discourse Concerning Pilasters: And of Several Abuses Introduc'd Into Architecture Engraven on six Folio Plates Adorn'd With Borders
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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Harvard University Houghton Library
N013971
The titlepage is engraved. With an engraved dedication leaf. Plate I is included in the pagination.
London: printed for John Senex, Willm. Taylor, Willm. and John Innys, and John Osborn, [1722?]. [8], xxi, [1],131, [1], xiip., VI[i.e.5] plates: ill.; 2°
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
Harvard University Houghton Library
N013971
The titlepage is engraved. With an engraved dedication leaf. Plate I is included in the pagination.
London: printed for John Senex, Willm. Taylor, Willm. and John Innys, and John Osborn, [1722?]. [8], xxi, [1],131, [1], xiip., VI[i.e.5] plates: ill.; 2°
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