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Indigo Dialogue on Partition: Literature Knows No Borders | Erin Mills Town Centre
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Dialogue on Partition explores dialogic possibilities in Indo-Pak English novels on partition of India in 1947 and expounds upon the potential of art and literature to offer dialogue. The book locates the inherent individualities of voices of narrators, characters and writers of these novels, as promulgators of dialogue in the face of the contentious event of partition and post-partition conflict. The book shows how the authors of these novels objectify their religious stance and present a regional affiliation attributed to a shared existence in the subcontinent, while locating and dissecting shared symbols, regional fraternity, sufi and mystic eclecticism and diversity of heteroglot and polyphonic voices in the chronotopal space and time of partition. The objective of the book is to critique the role of Indo-Pak novels in propagating dialogue, thereby proposing ways of reducing fissures implanted in the psycho-social terrain of the inhabitants of the region by offering junctures within the literary domain. Thus, the book expounds upon how these novels may be perceived as tools of integration between sects, races and nations at large. It can aid in opening borders to shared art and literature which inherently engenders response and dialogue leading to possibilities of coalition and integration.
Dialogue on Partition explores dialogic possibilities in Indo-Pak English novels on partition of India in 1947 and expounds upon the potential of art and literature to offer dialogue. The book locates the inherent individualities of voices of narrators, characters and writers of these novels, as promulgators of dialogue in the face of the contentious event of partition and post-partition conflict. The book shows how the authors of these novels objectify their religious stance and present a regional affiliation attributed to a shared existence in the subcontinent, while locating and dissecting shared symbols, regional fraternity, sufi and mystic eclecticism and diversity of heteroglot and polyphonic voices in the chronotopal space and time of partition. The objective of the book is to critique the role of Indo-Pak novels in propagating dialogue, thereby proposing ways of reducing fissures implanted in the psycho-social terrain of the inhabitants of the region by offering junctures within the literary domain. Thus, the book expounds upon how these novels may be perceived as tools of integration between sects, races and nations at large. It can aid in opening borders to shared art and literature which inherently engenders response and dialogue leading to possibilities of coalition and integration.
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