Erin Mills Town Centre Gift Cards are the perfect choice for your gift giving needs.Purchase gift cards at kiosks near the food court or centre court, at Guest Services, or click below to purchase online.PURCHASE HERE
Indigo Hungarian Dances and Musical Life Eighteenth Century Vienna | Erin Mills Town Centre
*Product information may vary - to confirm product availability, pricing, shipping and return information please contact Indigo
Eighteenth-century accounts of Vienna portray the city as one of the most ethnically and culturally diverse in Europe, yet most scholarship about Viennese music at that time focuses on Haydn, Mozart, and Beethoven, painting a disproportionately Austro-German picture of the Habsburg capital's musical life. Hungarian Dances and Musical Life in Eighteenth-Century Vienna is a social history of a unique facet of the city's diversity, illuminating how it shaped everyday experiences, individual and collective identities, and boundaries of belonging from approximately 1750 to 1810. Each chapter presents a case study of Hungarian dances and their music in a particular setting, with close attention to the mediating and intersecting effects of gender and class on personal and communal experiences. Engagement with music and dance—especially by reading, playing keyboard instruments, and taking part in social dancing—made cross-cultural encounters possible for relatively privileged Viennese women, even when their participation in public life and their ability to travel were limited. These cross-cultural encounters were critical to women's imaginative exploration of new affinities and identities without risk to their position or reputation. Moving deftly from the Habsburg court and its theaters to public sites of sociability and domestic contexts, Catherine Mayes offers new perspectives on the wide range and significance of experiences of music and dance in the capital city of a multinational monarchy.
Eighteenth-century accounts of Vienna portray the city as one of the most ethnically and culturally diverse in Europe, yet most scholarship about Viennese music at that time focuses on Haydn, Mozart, and Beethoven, painting a disproportionately Austro-German picture of the Habsburg capital's musical life. Hungarian Dances and Musical Life in Eighteenth-Century Vienna is a social history of a unique facet of the city's diversity, illuminating how it shaped everyday experiences, individual and collective identities, and boundaries of belonging from approximately 1750 to 1810. Each chapter presents a case study of Hungarian dances and their music in a particular setting, with close attention to the mediating and intersecting effects of gender and class on personal and communal experiences. Engagement with music and dance—especially by reading, playing keyboard instruments, and taking part in social dancing—made cross-cultural encounters possible for relatively privileged Viennese women, even when their participation in public life and their ability to travel were limited. These cross-cultural encounters were critical to women's imaginative exploration of new affinities and identities without risk to their position or reputation. Moving deftly from the Habsburg court and its theaters to public sites of sociability and domestic contexts, Catherine Mayes offers new perspectives on the wide range and significance of experiences of music and dance in the capital city of a multinational monarchy.
The largest book retailer in Canada also offers toys, music, home décor, gifts and lifestyle products. What's Inside...Books, Magazines, CD’s and DVD’s, Toys and Gifts, Home Accents, Electronics, Baby’s and Children’s Section, Bath and Body, Kitchen and Bedroom, Stationary Located outside in the exterior plaza.
