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Indigo In the Footprints of Charles Lamb (Classic Reprint) | Erin Mills Town Centre
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Excerpt from In the Footprints of Charles Lamb To this house there used to come, to call on Hazlitt, a man of noticeable and impressive presence - small of stature, fragile of frame, clad in clothing of tightly fitting black, which was clerical as to cut and well-worn as to tex ture; his almost immaterial legs, in Tom Hood's phrase, ending in gaiters and straps; his dark hair, not quite black, curling crisply about a noble head and brow a head worthy of Aristotle, Leigh Hunt tells us; full of dumb eloquence, are Hazlitt's words. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from In the Footprints of Charles Lamb To this house there used to come, to call on Hazlitt, a man of noticeable and impressive presence - small of stature, fragile of frame, clad in clothing of tightly fitting black, which was clerical as to cut and well-worn as to tex ture; his almost immaterial legs, in Tom Hood's phrase, ending in gaiters and straps; his dark hair, not quite black, curling crisply about a noble head and brow a head worthy of Aristotle, Leigh Hunt tells us; full of dumb eloquence, are Hazlitt's words. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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