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Indigo Richard Wagner's Prose Works | Erin Mills Town Centre
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1900 edition. Excerpt: ... their understandable-ness as a work of Art, by drawingin this ample circle towards its central point, and thus condensing it into the periphery which gives an understanding of the central Hero. This condensation (Verdichtung) is the work proper to the poetising intellect (des dichtenden Verstandes); and this intellect is the centre and the summit of the whole man, who from thence divides himself into the receiver and the imparter. As an object (Ersclieinung) is seized in the first place by the outward-turned instinctive Feeling, and next is brought to the Imagination, as the earliest function of the brain: so the Understanding, which is nothing else but the imaginative-force as regulated by the actual Measure of the object, has to advance in turn through the Imagination to the instinctive Feeling--in order to impart what it now has recognised. In the Understanding objects mirror themselves as what they actually are; but this mirrored actuality is, after all, a mere thing of thought: to impart this thoughtout actuality, the Understanding must display it to the Feeling in an image akin to what the Feeling had originally brought to it; and this image is the work of Phantasy. Only through the Phantasy, can the Understanding have commerce with the Feeling. The Understanding can only grasp the full actuality of an object, when it breaks the image, in which the object is brought it by the Phantasy, and parcels it into its singlest parts; when it fain would bring these parts before itself again in combination, it has at once to cast for itself an image, which no longer answers strictly to the actuality of the thing, but merely in the measure wherein Man has power to recognise it. Thus even the simplest action confounds and bewilders the...
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1900 edition. Excerpt: ... their understandable-ness as a work of Art, by drawingin this ample circle towards its central point, and thus condensing it into the periphery which gives an understanding of the central Hero. This condensation (Verdichtung) is the work proper to the poetising intellect (des dichtenden Verstandes); and this intellect is the centre and the summit of the whole man, who from thence divides himself into the receiver and the imparter. As an object (Ersclieinung) is seized in the first place by the outward-turned instinctive Feeling, and next is brought to the Imagination, as the earliest function of the brain: so the Understanding, which is nothing else but the imaginative-force as regulated by the actual Measure of the object, has to advance in turn through the Imagination to the instinctive Feeling--in order to impart what it now has recognised. In the Understanding objects mirror themselves as what they actually are; but this mirrored actuality is, after all, a mere thing of thought: to impart this thoughtout actuality, the Understanding must display it to the Feeling in an image akin to what the Feeling had originally brought to it; and this image is the work of Phantasy. Only through the Phantasy, can the Understanding have commerce with the Feeling. The Understanding can only grasp the full actuality of an object, when it breaks the image, in which the object is brought it by the Phantasy, and parcels it into its singlest parts; when it fain would bring these parts before itself again in combination, it has at once to cast for itself an image, which no longer answers strictly to the actuality of the thing, but merely in the measure wherein Man has power to recognise it. Thus even the simplest action confounds and bewilders the...
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