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Indigo Rotten Evidence: Reading and Writing an Egyptian Prison | Erin Mills Town Centre
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In February 2016, Ahmed Naji was sentenced to two years in prison for “violating public decency,” after an excerpt of his novel Using Life reportedly caused a reader to experience heart palpitations. Naji ultimately served ten months of that sentence, in a group cellblock in Cairo’s Tora Prison.Rotten Evidence is a chronicle of those months. Through Naji’s writing, the world of Egyptian prison comes into vivid focus, with its cigarette-based economy, homemade chess sets, and well-groomed fixers. Naji’s storytelling is lively and uncompromising, filled with rare insights into both the mundane and the grand questions he confronts.How does one secure a steady supply of fresh vegetables without refrigeration? Write and revise a novel in a single notebook? Make a wall hook out of a razor? Fight boredom? And, most crucially, how does one make sense of a senseless oppression: finding oneself in prison for the act of writing fiction. Genuine and defiant, this book stands as a testament to the power of the creative mind in the face of authoritarian censorship.“Ahmed Naji confronts what happens when one’s fundamentally unserious, oversexed youth dovetails with an authoritarian, utterly self-serious regime.”—Zadie Smith, author of The Fraud
In February 2016, Ahmed Naji was sentenced to two years in prison for “violating public decency,” after an excerpt of his novel Using Life reportedly caused a reader to experience heart palpitations. Naji ultimately served ten months of that sentence, in a group cellblock in Cairo’s Tora Prison.Rotten Evidence is a chronicle of those months. Through Naji’s writing, the world of Egyptian prison comes into vivid focus, with its cigarette-based economy, homemade chess sets, and well-groomed fixers. Naji’s storytelling is lively and uncompromising, filled with rare insights into both the mundane and the grand questions he confronts.How does one secure a steady supply of fresh vegetables without refrigeration? Write and revise a novel in a single notebook? Make a wall hook out of a razor? Fight boredom? And, most crucially, how does one make sense of a senseless oppression: finding oneself in prison for the act of writing fiction. Genuine and defiant, this book stands as a testament to the power of the creative mind in the face of authoritarian censorship.“Ahmed Naji confronts what happens when one’s fundamentally unserious, oversexed youth dovetails with an authoritarian, utterly self-serious regime.”—Zadie Smith, author of The Fraud
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