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Anastasia Samoylova: FloodZone
Indigo
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Anastasia Samoylova: FloodZone
Current price: $69.95


Anastasia Samoylova: FloodZone
Current price: $69.95
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Size: Hardcover
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FloodZone is Miami-based Russian photographer Anastasia Samoylova’s (born 1984) account of life on the knife-edge of the Southern United States: in Florida, where sea levels are rising and hurricanes threaten. But this book is not a visualization of disaster or catastrophe. These beautifully subtle and often unsettling images capture the mood of waiting, of knowing the climate is changing, of living with it. The color palette is tropical: lush greens, azure blues, pastel pinks. But the mood is pensive and melancholy. As new luxury high-rises soar, their foundations are in water. Crumbling walls carry images of tourist paradise. Manatees appear in odd places, sensitive to environmental change. Water is everywhere and water is the problem. Mixing lyric documentary, gently staged photos and epic aerial vistas, FloodZone crosses boundaries to express the deep contradictions of the place. The carefully paced sequence of photographs, arranged as interlocking chapters, make no judgment: they simply show.
FloodZone is Miami-based Russian photographer Anastasia Samoylova’s (born 1984) account of life on the knife-edge of the Southern United States: in Florida, where sea levels are rising and hurricanes threaten. But this book is not a visualization of disaster or catastrophe. These beautifully subtle and often unsettling images capture the mood of waiting, of knowing the climate is changing, of living with it. The color palette is tropical: lush greens, azure blues, pastel pinks. But the mood is pensive and melancholy. As new luxury high-rises soar, their foundations are in water. Crumbling walls carry images of tourist paradise. Manatees appear in odd places, sensitive to environmental change. Water is everywhere and water is the problem. Mixing lyric documentary, gently staged photos and epic aerial vistas, FloodZone crosses boundaries to express the deep contradictions of the place. The carefully paced sequence of photographs, arranged as interlocking chapters, make no judgment: they simply show.


















