Yakuza, samurai and horror films have been some of the most popular genres in Japanese cinema over the last two decades, with a clearly defined generic lineage in the country's cinematic tradition. Studying these genres through a close analysis of their most representative films, thisinnovative study examines the way individual films have either adapted to or drawn away from their own genre conventions, or, in the case of magic realist films, have introduced significant new developments which have little real precedence in Japanese filmmaking. With close textual analysis, thisstudy looks at the prevalence of repetition and variation in these contemporary Japanese genres, offering for the first time in English an academic appreciation and overview of popular Japanese cinema. Looking at the work of directors as varied as Kitano Beat Takeshi and Kurosawa Kiyoshi, andfilms as iconic as Hana-Bi and The Bird People in China, this book provides an invaluable resource for film students and scholars alike. About the series: Traditions in World Cinema introduces diverse and fascinating movements in world cinema. Each volume concentrates on a set of films from a different national, regional or, in some cases, cross-cultural cinema which constitute a particular tradition. | Contemporary Japanese Cinema Since Hana-bi by Adam Bingham, Hardcover | Indigo Chapters