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Final Matters: Selected Poems, 2004-2010
Indigo
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Final Matters: Selected Poems, 2004-2010
By None
Current price: $86.00


By None
Final Matters: Selected Poems, 2004-2010
Current price: $86.00
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Size: Hardcover
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An award-winning translator presents selections from the haunting final volumes of a leading voice in contemporary Hungarian poetry
Szilárd Borbély, one of the most celebrated writers to emerge from post-Communist Hungary, received numerous literary awards in his native country. In this volume, acclaimed translator Ottilie Mulzet reveals the full range and force of Borbély’s verse by bringing together generous selections from his last two books, Final Matters and To the Body . The original Hungarian text is set on pages facing the English translations, and the book also features an afterword by Mulzet that places the poems in literary, historical, and biographical context.
Restless, curious, learned, and alert, Borbély weaves into his work an unlikely mix of Hungarian folk songs, Christian and Jewish hymns, classical myths, police reports, and unsettling accounts of abortions. In her afterword, Mulzet calls this collection “a blasphemous and fragmentary prayer book … that challenges us to rethink the boundaries of victimhood, culpability, and our own religious and cultural definitions.”
An award-winning translator presents selections from the haunting final volumes of a leading voice in contemporary Hungarian poetry
Szilárd Borbély, one of the most celebrated writers to emerge from post-Communist Hungary, received numerous literary awards in his native country. In this volume, acclaimed translator Ottilie Mulzet reveals the full range and force of Borbély’s verse by bringing together generous selections from his last two books, Final Matters and To the Body . The original Hungarian text is set on pages facing the English translations, and the book also features an afterword by Mulzet that places the poems in literary, historical, and biographical context.
Restless, curious, learned, and alert, Borbély weaves into his work an unlikely mix of Hungarian folk songs, Christian and Jewish hymns, classical myths, police reports, and unsettling accounts of abortions. In her afterword, Mulzet calls this collection “a blasphemous and fragmentary prayer book … that challenges us to rethink the boundaries of victimhood, culpability, and our own religious and cultural definitions.”




















