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Les collections des arts du spectacle et leur traitement- Performing Arts Collections and Their Treatment: Congrès de Rome SIBMAS (2002)- SIBMAS Congress in Rome (2002)

Les collections des arts du spectacle et leur traitement- Performing Arts Collections and Their Treatment: Congrès de Rome SIBMAS (2002)- SIBMAS Congress in Rome (2002)

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Current price: $76.35
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Les collections des arts du spectacle et leur traitement- Performing Arts Collections and Their Treatment: Congrès de Rome SIBMAS (2002)- SIBMAS Congress in Rome (2002)

By None

Les collections des arts du spectacle et leur traitement- Performing Arts Collections and Their Treatment: Congrès de Rome SIBMAS (2002)- SIBMAS Congress in Rome (2002)

Current price: $76.35
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Size: Paperback

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Comment se compose la mmoire du spectacle ? Les bibliothques et les muses s’attachant l’entretenir ont parfois du mal contenir une matire aussi multiforme. Chaque collection a son histoire, chaque institution a d faire face diverses difficults. Dans cette mission, la technologie peut contribuer approfondir la mmoire du spectacle et largir virtuellement l’infini les espaces qui l’accueillent. Le congrs de la SIBMAS qui s’est tenu Rome en 2002 tmoignait d’une tape dans la rflexion suscite par l’utilisation des nouvelles technologies dans les bibliothques et les centres d’archives. Cet ouvrage en prsente les communications. How is the memory of a show evoked and brought back to life? Libraries and museums, by focusing on conservation, sometimes struggle to control the many details of the subject matter. Each collection has its own history and each institution has faced a multitude of difficulties. The aim of the papers put forward in this book is to illustrate how technology can help deepen the memory of each show and expand the virtually infinite spaces that keep them. The SIBMAS Congress held in Rome in 2002 represented a step forward in thinking about the use of new technologies in libraries and archives.
Comment se compose la mmoire du spectacle ? Les bibliothques et les muses s’attachant l’entretenir ont parfois du mal contenir une matire aussi multiforme. Chaque collection a son histoire, chaque institution a d faire face diverses difficults. Dans cette mission, la technologie peut contribuer approfondir la mmoire du spectacle et largir virtuellement l’infini les espaces qui l’accueillent. Le congrs de la SIBMAS qui s’est tenu Rome en 2002 tmoignait d’une tape dans la rflexion suscite par l’utilisation des nouvelles technologies dans les bibliothques et les centres d’archives. Cet ouvrage en prsente les communications. How is the memory of a show evoked and brought back to life? Libraries and museums, by focusing on conservation, sometimes struggle to control the many details of the subject matter. Each collection has its own history and each institution has faced a multitude of difficulties. The aim of the papers put forward in this book is to illustrate how technology can help deepen the memory of each show and expand the virtually infinite spaces that keep them. The SIBMAS Congress held in Rome in 2002 represented a step forward in thinking about the use of new technologies in libraries and archives.

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