A sequel to Satan Wears Satin and Down for the Countess. Artist Ivey Marks craves dominant women. So, when Sable Brandenburg frees him from Countess Vronsky of Russleder in Siberia, Ivey cherishes becoming Sable’s slave. Although US banking tycoon Catherine Roman owns Russleder, she lets Sable imprison Ivey at the Brandenburg’s estate near Philadelphia early in 2008. What will Catherine demand in return? From both of them? Ivey decides to worry about his moral debt later. He flirted with Sable before getting shanghaied to Russleder. Losing his wife Nicole only intensified his passion for the filthy-rich Sable, even after she took his paintings of Nicole while he was away and brazenly sold them to enrich herself. Sable’s chutzpah only fuels Ivey’s compulsion to prostrate himself before her. So, she demands Ivey’s current and future assets in exchange for meals, housing, and ‘special favors.’ “Agreed!” he says. Just let me paint. Now Ivey has signed away all rights to his future paintings and his memoir of Russleder to gain Sable’s favors. She singes their agreement into Ivey’s heart and loins by indoctrinating him in her Pi Differential. How thoroughly does the Domme wish to take advantage of her sub? And how serious is he about submitting to domination? Most of all, how can they close this gap or differential? Ivey’s Ultimate Temptation lures him into the most incredibly-voluptuous ecstasy he’s ever felt—and into his betrayal of Sable. Ivey has severely violated Sable’s trust. Can he get back into her good graces? Will Catherine Roman use them both as sex objects? Can Ivey escape banishment to Russleder? He needs a miracle!